Jaguar Wright ARRESTED!? Someone Is Trying To Silence her as she gives TEA on Hollywood Secrets
The podcast episode delves into the complexities of appropriateness in social settings, particularly focusing on the boundaries regarding children and adult interactions. Speaker A and Speaker B engage in a candid discussion that touches on personal experiences and societal norms, exploring what is deemed acceptable or inappropriate behavior, especially in the context of parenting and child safety. As the conversation unfolds, they tackle sensitive topics, including the music industry’s exploitative nature, highlighting the struggles artists face in a system that often prioritizes profit over integrity. The dialogue becomes increasingly intense as they draw parallels between celebrity culture and familial relationships, questioning the authenticity and motives behind public personas. The episode ultimately underscores the importance of self-awareness and critical thinking in navigating both personal and professional relationships.
Chapters:
- 00:01 - Exploring Appropriateness
- 04:16 - Navigating Personal Growth and Relationships
- 12:40 - The Illusion of Success in the Music Industry
- 17:43 - Reflections on Healing and Vulnerability
- 20:02 - The Anticipation of New Music
- 24:03 - The Dynamics of Power and Contract in the Music Industry
- 29:23 - The Unraveling of Friendships
- 35:09 - Unraveling Truths
- 42:06 - The Music Industry: A Sick Little Family
- 48:21 - The Magic of Performance
- 53:41 - The Legacy of Michael Jackson's Children
- 58:43 - The Consequences of Fame on Youth
- 01:02:49 - Zombie Apocalypse Weaponry Discussion
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Transcript
1322.
Speaker A:Appropriate or inappropriate?
Speaker B:Inappropriate alone.
Speaker A:Appropriate or inappropriate?
Speaker A:Inappropriate in your child's room.
Speaker A:Appropriate or inappropriate?
Speaker B:Definitely inappropriate.
Speaker A:Part B to that.
Speaker A:In your child's room with the door closed, in the bed, half dressed, grab the shotgun.
Speaker A:Real life.
Speaker B:It ain't real life.
Speaker B:Real life.
Speaker B:Street stars.
Speaker B:You know what time it is?
Speaker B:Real life street star.
Speaker B:We got her right back.
Speaker B:First and foremost, she's back on the couch.
Speaker B:We have to say it.
Speaker B:Let's definitely do it.
Speaker B:Happy birthday, Jaguar Wright in person.
Speaker B:Yeah.
Speaker B:Another year round the sun.
Speaker B:Does this birthday hit differently than the ones prior, by any chance?
Speaker A:Well, I'm wearing my birthday gift.
Speaker B:There you go.
Speaker A:From whom?
Speaker A:Well, it's.
Speaker A:It's tricky, okay.
Speaker A:Because it was purchased by a very unhinged young gentleman.
Speaker A:I don't know what is.
Speaker A:I call him not.
Speaker A:Not.
Speaker A:And, you know, he was able to do this because my head, mod Ayasha, donated $60 to his cash app so that he could get me the gift.
Speaker A:So Ayasha financed his gift, but she gave 60, and the hat was only 22 on sale.
Speaker A:Now, I have more than one hat, which means I actually spent my own money for the other one.
Speaker A:But all that being said, he did get a $45 haircut with the rest of the money.
Speaker A:So, I mean, it was.
Speaker A:I guess it was his birthday, too.
Speaker A:I don't know.
Speaker B:Well, there you go.
Speaker B:There you go.
Speaker A:Thanks, Ayasha.
Speaker B:Right.
Speaker B:Shout out to Mod Squad.
Speaker B:Well, welcome back on the blue couch as this interview drops.
Speaker B:And if anybody saw behind the scenes or want to go look at behind the scenes on the members or wherever it's going to be at, we're probably touching a million.
Speaker B:Now, with that being said, for when you first came and sat on this, the other couch before, before it was blue, did you see potential large chair?
Speaker B:I think it was.
Speaker B:Yeah.
Speaker B:The large chair.
Speaker B:It was.
Speaker B:I think you famously quoted, said, I forgot who you was, a bunch of men in the room.
Speaker B:But you were like, do not second guess yourself.
Speaker B:Do not doubt yourselves.
Speaker B:Yeah.
Speaker B:And you were telling you were speaking to our souls about what you see in us.
Speaker A:Yeah.
Speaker B:Did you see that within a year or so from that interview during COVID at that.
Speaker A:Absolutely not.
Speaker B:Damn.
Speaker B:Okay, go ahead.
Speaker A:You don't even have to finish.
Speaker A:Absolutely not.
Speaker A:I knew it was getting traction, but I really wasn't paying attention.
Speaker A:Honestly, at that point in time, for me, I was still in my purge state.
Speaker A:And it was before I realized that my Instagram gallery became just like viral content for a bunch of weirdos and some decent people.
Speaker A:Some decent Commentators and all of that was gearing at the same time.
Speaker A:So I.
Speaker A:When Baby Mouse called me and was like, you're going viral.
Speaker A:I'm like, huh?
Speaker A:What you mean?
Speaker A:And y'all know the story.
Speaker B:You know the story.
Speaker A:And here we are.
Speaker A:And, you know, I guess it couldn't have happened any other way.
Speaker B:So can I ask you, from the time that you first came on the couch up until right now at this moment, for your life and everything else.
Speaker B:I know most people don't regret things.
Speaker B:But if you could change anything, do anything different from that moment to this moment, what would that be?
Speaker A:I would have let go of my family sooner.
Speaker B:Wow, that's powerful, man.
Speaker A:Yeah.
Speaker B:Why?
Speaker B:Why would you?
Speaker B:Like, what makes you go in that direction?
Speaker A:Because they were forced to become my biggest weakness.
Speaker A:My family was forced to become a liability.
Speaker A:And people were used to me walking away.
Speaker A:I'm Houdini.
Speaker A:Anyone who truly knows me knows that if you see me around for like a year straight, I'm depressed.
Speaker A:Something's going on.
Speaker A:Because I've always been on the move.
Speaker A:I've always lived in multiple places.
Speaker A:I've always world traveled.
Speaker A:No one in my life who truly knows me can even say after school that they spent more than 100 days with me in excess.
Speaker A:Ever.
Speaker A:That's me.
Speaker B:Wait, why are you so, like, remote like that?
Speaker A:Because I understand humanity.
Speaker A:I don't want to hate people.
Speaker A:So I take breaks.
Speaker A:I change my environment.
Speaker A:I spend the time that I need.
Speaker A:I hang in environments or in, you know, societies or cities that feed my culture.
Speaker A:Like my dream life would have been skipped.
Speaker A:All this fucking exposure shit.
Speaker A:Finished.
Speaker A:Launching my own independent company out of France, having my jazz club up and running, and booking all of my neo soul friends who are scrounging for work in America while they get to make a foreign dollar that's worth more than what they're scrounging for in America.
Speaker A:That would have been my dream.
Speaker A:Going to San Tropez on the weekends, hanging out with Natalie, you know, me and Sarah going down to Montpelier.
Speaker A:I would have much preferred all of that shit.
Speaker A:I would have much preferred, you know, yacht trips and the shit that I did until I decided I can't fuck with it no more.
Speaker A:And then the more I realized, the more I separated myself from that world, I realized there, you know, I tried every option, every angle, and all roads led back to, you still gotta do money with them, make money with them.
Speaker A:And if you gotta do money with them and make money with them, then they still get a say.
Speaker A:And if they still get a say.
Speaker A:Whoever got the most money get the biggest say and you just a rat in a maze with no doors.
Speaker A:It's pathetic.
Speaker A:It's a system that's designed to trap you into believing you can't be anything without it.
Speaker A:I mean, I don't know how many people I know that have done really, really, really, really, really compromising shit to get a record deal.
Speaker A:And I knew that it was never happening.
Speaker A:Want to know why?
Speaker A:Want to know how I knew those deals was never happening?
Speaker A:Because as an intern, I must have.
Speaker A:When I would go into the studios and take out the trash, on average I was throwing away 3 to 500 demos a week.
Speaker A:3 to 500 a week.
Speaker A:Not even cracked open promo pictures in the trash with it.
Speaker A:Now imagine what that looks like for me as an up and coming artist trying to find my way, my niche, and knowing that every moment I got, I'm lucky.
Speaker A:Because I could have been one of those motherfuckers whose shit was in the trash.
Speaker A:More importantly, on a few occasions, I probably was and didn't even know it.
Speaker A:Now this is back in the day where you couldn't just pick up your iPhone and get GarageBand.
Speaker A:No, we had to put in work.
Speaker A:Imagine being a 16 year old single mom and you're working two jobs.
Speaker A:You graduate from high school early, you're providing for your kid, but.
Speaker A:But you're still paying for studio time from the local studio motherfucker who's robbing you blind for sub fucking par work.
Speaker A:You pay him for a mixed down fucking demo and you get some shit that don't sound no different than the shit you put down.
Speaker A:Now you done spent back in them days.
Speaker A:$25 an hour, you gotta book four hours.
Speaker A:This nigga getting a bean out.
Speaker A:You off top whether he's a good engineer or not, just because he got the equipment in his basement.
Speaker A:That's a fucking hustle.
Speaker B:Repeat that 20 times.
Speaker A:He Getting a bean off you no matter what, whether you like the product or not.
Speaker A:What the fuck you gonna tell him unrecorded?
Speaker A:Now you gotta take his mistake to a better engineer because what the fuck you, where you selling this shit now?
Speaker A:The better engineer tells you I can't do nothing, well, you know it's gonna be like 50 an hour.
Speaker A:Cause now I gotta go back and I gotta clean up all this shit.
Speaker A:I'm gonna have to relay this, I'm gonna have to put it through Pro Tools.
Speaker A:You know what I mean?
Speaker A:It's real.
Speaker A:I'm really, I really should be charging you like 75.
Speaker A:But he fucked you, so you know what I mean?
Speaker A:I'll do it for 50.
Speaker A:And guess what?
Speaker A:You gotta book that shit out of the block too.
Speaker A:And he's charging eight hour blocks to fix this nigga shit that you already paid for that you can't use.
Speaker A:Now you 750 in the hole for a song that you haven't even mass produced yet.
Speaker A:Because you still got to get it mastered.
Speaker A:That's another 250.
Speaker A:Now imagine all your hopes and dreams.
Speaker A:You're making 500 a week.
Speaker A:You just spent a thousand and you ain't even paid for your promo pictures yet.
Speaker A:Gotta have a promo picture with a bio to go with the CD or the cassette tape or the DAT tape.
Speaker A:That's what it was like for us.
Speaker A:Now you gotta sit there and pray he's not a fucking pervert.
Speaker A:You gotta pray he doesn't have cameras in the dressing room.
Speaker A:You gotta pray that he doesn't grab your tit again to let you know that you need to drop your shirt a little bit more.
Speaker A:But this is the guy that everybody goes to.
Speaker A:This is the guy that's approved.
Speaker A:This is the guy that they don't wanna see anybody else's work but him.
Speaker A:So, you know, hopefully you avoid being sexually harassed or assaulted.
Speaker A:Now you $2,000 in and you go up to that company and you sit with these motherfuckers and they smile and they listen to your shit in front of you and they telling you, yeah, yeah, yeah, yeah.
Speaker A:Well, you know, we about to start signing again.
Speaker A:Yo, I feel you, kid.
Speaker A:Yo, this shit is.
Speaker A:Yo, man, this shit is.
Speaker A:Yeah, you walking out on top of the world and before you turn the fucking corner, after you close the door, they're calling you every thing but a child of God and fucking throwing your shit in the trash.
Speaker A:And no one's ever gonna hear it.
Speaker A:Imagine how many millions of people have that experience.
Speaker A:Over 800,000 artists are signed every year worldwide.
Speaker A:And yet your list of celebrities is less than two hundred and fifty.
Speaker A:Out of that, maybe 10 of them will become superstars, megastars.
Speaker A:Tell me something.
Speaker A:How many of their best rivals ended up in the trash?
Speaker A:How many had that gift and that ability?
Speaker A:And they went to that label and they said, we're gonna sign you, we're gonna promote you and we're gonna do this knowing they're never gonna do anything.
Speaker A:They're gonna put you on the shelf because Clyde Davis paid them to sign you.
Speaker A:So you be stuck.
Speaker A:And for a favor from him later, maybe a nomination for a Grammy Imagine that.
Speaker A:You're trapped in that fucking deal.
Speaker A:Better yet, let me put a face to it.
Speaker A:Bobby Sessions.
Speaker B:That's close to home.
Speaker A:That's not close to home.
Speaker A:That's fucking bull's eye.
Speaker A:What happened to Bobby Sessions?
Speaker A:Eight years ago, he was supposed to be the hottest thing out of Dallas.
Speaker A:Everything was great.
Speaker A:Everything was wonderful.
Speaker A:He was being looked at.
Speaker A:He was actually almost Saul as a rival for Big Sean, at one point, got signed to Def Jam.
Speaker A:Def Jam.
Speaker A:Bobby Sessions.
Speaker A:That should have been an easy win.
Speaker A:Community activists had his sexy on.
Speaker A:Hung in the right crowds.
Speaker A:Where's.
Speaker A:Where's Bobby Sessions?
Speaker A:Def Jam recording artist Wonder who paid to get him out the way, because that motherfucker was on fire.
Speaker A:And until he put his name on that paper.
Speaker A:Somebody tell me I'm lying.
Speaker A:How many artists were very promising and so they went to fucking Erykah Badu's goddamn Healing House?
Speaker B:How many?
Speaker A:Ooh.
Speaker A:How many people got auditioned by Coco before they got a meeting with the Ba Doozle?
Speaker A:How many young Dallas rappers right now can tell you to smell a cocoa pussy just to get a feature?
Speaker A:Have to pay and the bitch still don't show up.
Speaker A:God damn it.
Speaker A:I done lost my hat.
Speaker B:I mean, are we just sheep out here?
Speaker A:Everybody know the rope.
Speaker A:Adult with the right sisters.
Speaker B:So.
Speaker B:All right.
Speaker B:Jealous.
Speaker A:They been robbing every fucking young rapper on South Dallas.
Speaker B:Word.
Speaker A:On my mama, yo.
Speaker A:On my mama, Dead or alive center.
Speaker A:She done ran through Elise.
Speaker A:You listen to me.
Speaker A:She said Coco first.
Speaker A:You know my sister really wanna work with you on some fucking.
Speaker A:Y'all be fine.
Speaker A:Heartbeat shit.
Speaker A:Nigga, this shit is wild out here, G.
Speaker A:And they be young boys, too.
Speaker A:Yo, let's go down to the Big T and look at some grills.
Speaker B:Oh, no.
Speaker B:Oh, man.
Speaker A:Okay, so what would you do for a cash?
Speaker B:So, Jax, stay right there because I'll.
Speaker A:Tell I love you.
Speaker A:These niggas is thirsty.
Speaker A:I don't understand it, but it is what it is.
Speaker B:Stay right there.
Speaker A:Fuck you.
Speaker B:Just today.
Speaker A:Yeah, Y'all know I ain't lying.
Speaker B:Yeah, just today.
Speaker A:Them niggas get younger and younger every year.
Speaker A:The last nigga she had over there, the Big t, was what, 28?
Speaker B:Young.
Speaker B:We don't know age.
Speaker B:But young.
Speaker B:But young.
Speaker A:She older than me.
Speaker A:Damn, I'm 47.
Speaker A:She older than me.
Speaker A:That nigga 28.
Speaker B:Sex in the City.
Speaker A:That's not Sex in the City, nigga.
Speaker A:That's svu.
Speaker A:All I know is we were meditating and I woke up with no clothes on.
Speaker A:She said the ayahuasca was Safe like, nigga, you know how many niggas I heard say that in that fucking healing house?
Speaker A:God damn.
Speaker A:I can't fucking can.
Speaker A:I'm done with this hat.
Speaker B:Fuck the hat.
Speaker B:I got it.
Speaker B:Happy birthday.
Speaker A:Hat.
Speaker B:Happy birthday.
Speaker A:Happy fucking birthday to me.
Speaker A:So, Jack, shout out to Jill Scott, diss me to my face, bitch.
Speaker A:I got no time for fake ones.
Speaker B:Who we got?
Speaker B:Who we got?
Speaker B:Somebody.
Speaker B:Somebody calling back.
Speaker B:Someone calling back.
Speaker A:They got me laughing.
Speaker B:What's up?
Speaker A:They got me.
Speaker B:Is it all right?
Speaker A:That's J.
Speaker A:French.
Speaker B:That's French.
Speaker B:All right, French.
Speaker B:Fridge.
Speaker B:Point at that camera.
Speaker B:Yeah, point at that camera.
Speaker B:What up, crew?
Speaker B:What up, French?
Speaker B:Hey, man, I see y'all, man.
Speaker B:We had.
Speaker B:We had to cut your song out, the last one, but y'all did it, man.
Speaker B:Thank you.
Speaker B:One million View, one million subscribers.
Speaker B:Y'all did the big one, man.
Speaker B:There.
Speaker B:You did it, man.
Speaker B:Listen, hey, French, we may not have all day.
Speaker B:You need to drop your IG for those who know where to go find that music.
Speaker B:Jaguar J.
Speaker B:French on everything.
Speaker A:On everything.
Speaker B:Jaguar J.
Speaker B:French.
Speaker B:Yeah, definitely bless his king.
Speaker A:Yo, we gotta get to Club Sativa, bro.
Speaker B:Thank you.
Speaker B:Thank you.
Speaker B:The.
Speaker B:Them lights, that blue couch.
Speaker B:We appreciate.
Speaker B:We appreciate.
Speaker A:All right.
Speaker B:Hey, real quick, friends.
Speaker B:We're going to let you get your host on.
Speaker B:And Jag.
Speaker B:Bring the phone.
Speaker B:Bring the phone closer to your mic.
Speaker B:Give us one question you would ask Jag.
Speaker B:One question.
Speaker B:Go ahead, Jack.
Speaker B:One question I want to ask Jack.
Speaker B:Yeah.
Speaker B:Let's go.
Speaker B:Um.
Speaker B:Ooh.
Speaker B:When is your fucking album coming out?
Speaker B:There you go.
Speaker B:There you go.
Speaker B:Right.
Speaker A:Do you want an immediate response?
Speaker B:I wanna.
Speaker A:When I get them three tracks I asked for two months ago.
Speaker B:Ball back in your court.
Speaker A:Yeah.
Speaker B:Ball back in your court.
Speaker B:Hey, I got you, Jaguar.
Speaker B:You know I got you.
Speaker A:Well, then let's get it.
Speaker A:You ain't gotta got it.
Speaker A:Can we just get it?
Speaker A:No, Diddy.
Speaker B: g you singing behind jay Z in: Speaker B:I was watching it last night.
Speaker B:I sent it to you, and I was watching how everybody was, like, reacting to it.
Speaker B:And it was incredible.
Speaker B:It was a really incredible feat.
Speaker B:It made the whole thing work, man.
Speaker B:And that's where you really, really shining.
Speaker B:I can't wait for everybody to get to see you do that again.
Speaker B:And French, French, you got a song called fjz, man.
Speaker B:No, that's not me.
Speaker B:That's AI.
Speaker B:That ain't a single.
Speaker B:We're not pushing that single no more.
Speaker B:We ain't pushing that single no more.
Speaker B:So we going with another track.
Speaker B:All right.
Speaker B:Hey, Fred.
Speaker B:Salute.
Speaker B:Man.
Speaker B:Hey, watch this.
Speaker B:When it drops, it's about to be epic.
Speaker B:It's about to get epic.
Speaker B:Definitely, man.
Speaker B:Trust me.
Speaker B:I believe you and I know it.
Speaker B:Appreciate it.
Speaker B:I see you, my brother.
Speaker B:I see you, my brother.
Speaker A:Listen to me.
Speaker A:I tried to see you while I was at home.
Speaker B:Really?
Speaker A:Yeah, well, I was in and out.
Speaker B:Oh, okay.
Speaker B:You talk about it later.
Speaker B:We'll talk about it.
Speaker A:No, wait a minute.
Speaker A:Wait a minute.
Speaker B:She said, hold on.
Speaker A:It's about to get crunk.
Speaker B:I believe it.
Speaker A:It's about to get real Crown.
Speaker B:Oh, I know, man.
Speaker A:Come on.
Speaker A:I know.
Speaker A:All right.
Speaker B:I already know.
Speaker B:Like, what the else do I expect?
Speaker B:What else should we expect?
Speaker B:Expect?
Speaker B:Well, there you go.
Speaker B:To the flame thrower herself talking about, it's gonna get hot in here.
Speaker B:Hey, man, love you.
Speaker B:I love you too.
Speaker A:Salute my little brother.
Speaker B:Nah, for real.
Speaker B:Shout out J French, man.
Speaker B:Shout out J French.
Speaker B:Dope music.
Speaker B:A lyricist.
Speaker B:Jack, real quick, because you were speaking on the situation of dreams promised.
Speaker B:And just today we seen the dream, no pun intended, basically get hit with a lawsuit of sexual assault, graping, strangling and a whole bunch of other things.
Speaker B:And what they, what they pop goes the weasel.
Speaker B:Because the weasel go pop basically in.
Speaker A:The ring around the victim.
Speaker B:Right?
Speaker B:The victim is basically saying, I was promised catchy girl disease.
Speaker B:Yeah, right.
Speaker B:I.
Speaker B:I was promised a career.
Speaker B:I was promised like.
Speaker B:And we talked about this last time to where you see.
Speaker A:You mean like the game?
Speaker B:Yeah, yeah.
Speaker A:How he was running around with Diddy all them years, never got no deal.
Speaker A:It was a promise.
Speaker A:A lot of promise, A lot of party.
Speaker A:A lot of Diddy party.
Speaker A:Yeah, so him camera too, you know.
Speaker B:So do you feel.
Speaker B:And again, we like to speak in percentages.
Speaker B:What percentage of celebrities use their power to get sexual favors?
Speaker B:You feel?
Speaker A:85% of them, maybe 90.
Speaker B:God, that's a lot.
Speaker B:That's a lot.
Speaker B:So is there anyone that you know that has integrity inside of the music industry?
Speaker A:Yes, there are many people that I know.
Speaker A:Unfortunately, most of the ones that I would tell you are dead.
Speaker A:Or you just wouldn't know them.
Speaker B:And would you say they possess any real power or the ones who are more so?
Speaker A:You gotta understand how it works.
Speaker B:Okay.
Speaker A:First things first.
Speaker A:I'm gonna tell you where the whole shit is wrong when it comes to talent.
Speaker A:That is a God given gift.
Speaker A:It doesn't belong to us.
Speaker A:It was given to us from source.
Speaker A:And guess what?
Speaker A:It was given for free.
Speaker A:Not one of us who are gifted on this planet have ever had to sign a contract with God for Permission to use our gift.
Speaker B:Amen.
Speaker A:Ever.
Speaker A:But you gotta sign a whole lot of contracts with the devil.
Speaker A:Oh, shit.
Speaker A:Whole lot of contracts.
Speaker A:Contract for everything with the devil.
Speaker A:Contract for your life.
Speaker A:Contract for your death.
Speaker A:Contract for what you believe in.
Speaker A:Contract to not believe in what you believe in.
Speaker A:Better yet, pay you double if you say some shit you know is bullshit.
Speaker A:Push it, sell it, make it work.
Speaker A:Look at Coco Jones.
Speaker B:Yeah.
Speaker A:Ain'T that something?
Speaker A:And yet.
Speaker A:And yet.
Speaker A:Tweet can't even give a fair share.
Speaker A:She can't even get a fair share.
Speaker B:Yeah, it's right.
Speaker A:Where is Tweet and Coco Jones any different?
Speaker A:Or is it just a replacement?
Speaker A:Better yet, October London.
Speaker B:Oh, yeah.
Speaker B:October London.
Speaker A:Fabulous.
Speaker A:What does that do to Raheem Devon's longevity now?
Speaker A:Replacement?
Speaker A:Little Kim is still alive, can still perform very well.
Speaker A:Still spit, still write a show.
Speaker B:She was doing a little dance that was kind of.
Speaker B:Kind of leaning.
Speaker A:Whatever it is, it's still better than Mary J.
Speaker A:Blige.
Speaker B:Hey, I won't.
Speaker B:Hey, I'm.
Speaker A:Whatever it is.
Speaker A:And yet Onika was invented to replace her.
Speaker B:Invented.
Speaker A:See how this work?
Speaker B:Yeah.
Speaker A:Little Kim was invented to guarantee record sales for female artists.
Speaker A:Because even though some of them had gold records, even made it to platinum records, they tailed off or they got swallowed up by predominantly male lineups.
Speaker A:It wasn't until Sex was introduced that female MCs were considered marketable.
Speaker A:Look at Rod Digga's first album.
Speaker A:Look at her second.
Speaker A:Drastically different with styling.
Speaker A:B Girl was what you did if you wanted to be broke and known as a dope ass lyricist, female rapper is what you do if you want to get paid.
Speaker A:Rhapsody.
Speaker A:Sexy red.
Speaker A:Can we talk about it?
Speaker A:This bitch getting kicked out of speaking at schools for smelling like weed when she's peddling fucking lip gloss named after goddamn venereal diseases.
Speaker A:When's the last time you heard about Rhapsody doing TED talks or clinics?
Speaker A:She should be.
Speaker A:They won't even give her speaking engagements at college when she's probably smarter than a lot of the professors they have on staff.
Speaker A:You know, we could talk about Tierra Wack and why if they would just let her run, she would have totally replaced Missy and nobody would have ever missed her.
Speaker B:Hmm.
Speaker A:It's funny.
Speaker A:When Missy was very sick, Tiara was starting to thrive.
Speaker A:She did this awesome project about, what, seven years ago?
Speaker A:She took all of her songs and she broke them down into one minute shorts, and then she made a video for each short and then turned that into a mini mega video album.
Speaker A:It was awesome.
Speaker A:And when it was Just about to peek and go through the roof.
Speaker A:All the next thing you know, it just kind of disappeared.
Speaker A:Tested well, did well.
Speaker A:She should already have a diamond album.
Speaker A:Why am I saying all of this to you and you're looking at me like you've never heard the name Tierra way?
Speaker A:Oh, and she's from Philly.
Speaker A:Wonder why the Roots never featured her at their fucking picnic.
Speaker A:They had Jill there sitting there, finally admitting the story of how Amir played her like a whack ass bitch because she thought ass was gonna be on Power 99 Monday morning.
Speaker A:And it was Erica Wright singing her lyrics and pretending like she wrote it.
Speaker A:And Amira Co signed it.
Speaker A:It's like Juneteenth for dumb bitches.
Speaker A:I don't know.
Speaker B:So there was a lot.
Speaker A:Dude, you admitted that they robbed you and you're still working with them.
Speaker A:Guess you like getting robbed.
Speaker A:I don't know, but I'm supposed to be.
Speaker A:Stupid motherfuckers.
Speaker A:Jaguar Wright gets dissed by Jill Scott.
Speaker A:Can we address that?
Speaker B:Yeah, yeah, please, please.
Speaker A:Now, I wanna ask you a question, all of you.
Speaker A:Because you kinda getting to know me a little bit.
Speaker A:When you hear thumbnails like that, what do you think I would say.
Speaker B:You don't face it.
Speaker A:What would be a typical jag response to Jill Scott disses Jaguar right on stage?
Speaker A:You would know something about her that we don't know.
Speaker A:Not.
Speaker A:I would simply say no.
Speaker A:Christopher Williams tried it too.
Speaker B:Oh.
Speaker A:It'll have the same effect.
Speaker A:Okay, you a trash ass whore.
Speaker A:You and I both know that.
Speaker A:But just to prove that at one point in time I cared about you, I'm gonna share two stories with you.
Speaker A:And this is me talking to you, Jill, directly.
Speaker A:After all this time.
Speaker A:Since you wanna use me for clout, let me get you a little clarity.
Speaker A:I was your friend, bitch.
Speaker A:You did recon on me.
Speaker A:You studied everything that I did.
Speaker A:You studied everything that I am.
Speaker A:And I allowed you to borrow my talents and my gifts.
Speaker A:Never asked for an ounce of credit.
Speaker A:Just wanted to see you win.
Speaker A:After all that fucking and sucking in Central, all them trips to the goddamn clinic.
Speaker A:You know you deserve to win at something.
Speaker A:Cause you certainly weren't winning at life.
Speaker A:I'll never forget the day you called me after you came home from your in vitro.
Speaker A:I was in Voorhees, you were in Marlton.
Speaker A:We were married.
Speaker A:You to Lizelle, me to Sam.
Speaker A:We were both unhappy.
Speaker A:We talked about how much we hated our marriages all the time.
Speaker A:I just didn't write a song using that nigga's name.
Speaker A:And pretending like I ever gave a shit.
Speaker A:You were better at acting than I was.
Speaker A:Still are, I guess.
Speaker A:You think people fuck with you?
Speaker A:They don't.
Speaker A:Not really.
Speaker A:You cried to me and said, jag, all I want is to be a moment.
Speaker A:And I fucked up.
Speaker A:And I told you it didn't matter how many times they had to scrape your cervix.
Speaker A:It didn't matter how many times you went through the pain.
Speaker A:I was going to be there for you.
Speaker A:And I told you, you will be a mother one day.
Speaker A:You will have a beautiful child.
Speaker A:It will happen.
Speaker A:Maybe not right now, but it will will happen.
Speaker A:And you cried and you said, you really believe that?
Speaker A:And I said, jill, I know it.
Speaker A:Was I wrong now?
Speaker A:I didn't know you was going to use a nigger that I used to.
Speaker A:I mean, that I was dating, that I was sleeping with.
Speaker A:I didn't know he was going to be the vehicle for your happiness.
Speaker A:But you got John's baby.
Speaker A:Shame you don't let him spend no time with his daddy.
Speaker A:He's almost grown now.
Speaker A:He'll be able to choose.
Speaker A:I don't know.
Speaker A:Less you use your pocketbook to keep him on a string like you do every other man in your life.
Speaker A:Never trust the bitch that leads with her asshole and her wallet first.
Speaker A:You and I are not the same.
Speaker A:I enjoy what I do.
Speaker A:You fill yourself and find no enjoyment.
Speaker A:And we both know that Terrence Howard at your house while you were still married to Lizelle.
Speaker A:He loves me.
Speaker A:Shame you didn't.
Speaker A:We know that to be true.
Speaker A:Another story I got for you.
Speaker A:The day we had to go fix the drywall.
Speaker A:And you were asking me which Home Depot could we go to.
Speaker A:Where no one would see us get the patchwork for.
Speaker A:When Lizelle put you through the fucking wall.
Speaker A:You kept forcing the issue of a baby.
Speaker A:And he told you.
Speaker A:Your first husband said, I've seen the way you treat your pets.
Speaker A:I'd never trust you with my child.
Speaker A:That's what your first husband said about you.
Speaker A:Bitch.
Speaker A:He loves me.
Speaker A:Maybe not.
Speaker A:You could say whatever you want to say about me, Jillian.
Speaker A:I could say a lot of things about you.
Speaker A:I forgave.
Speaker A:A lot.
Speaker A:You came from a long line of lying whores.
Speaker A:The shit your mother used to tell you at night, 12, 13 years old, coming into your room telling you how to suck dick.
Speaker A:Telling you how it was gonna be so great when you finally could learn how to bust a n.
Speaker A:Telling you how to jerk yourself off so you could get into that feeling.
Speaker A:So you'd be ready for Sex your mother turned.
Speaker A:Ooh, bitch, if Blue BAE ain't dead, this might kill her.
Speaker A:Everybody know about y'all.
Speaker A:Only reason you ain't act a fool in North Philly is because North Philly would have fucked you up.
Speaker A:You waited till you got some money and moved out of town to start popping fly and hiring all your friends, ex boyfriends, so you could fuck them and brag about it.
Speaker A:Who the fuck would be jealous of you?
Speaker A:And who gives a fuck about what comes out of your mouth?
Speaker A:What I will say is this.
Speaker A:You know me, Jillian.
Speaker A:Just like I know you know how much I hate everything you've done to all of your friends.
Speaker A:So called friends.
Speaker A:Well, should we talk about Clutter?
Speaker A:Maybe your fans should know what kind of egomaniac you really are.
Speaker A:You tortured a dog over a pair of, what was it?
Speaker A:Manolo Blahniks?
Speaker A:Your dog, Plutter, who shat in your shoe, he missed you.
Speaker A:You were gone all the time.
Speaker A:You left him in a cage.
Speaker A:You let him out.
Speaker A:The nigga got out.
Speaker A:Wow.
Speaker A:He sat in your shoe.
Speaker A:Now, a normal person with a real heart would have cleaned the shoe, taken it to the shoe cleaner, found some way to discipline the dog.
Speaker A:But see, you knew that dog was afraid of children.
Speaker A:He was a rescue.
Speaker A:What did you do, Jillian?
Speaker A:You gave Clutter to a family with six small kids.
Speaker A:That's you, Jill.
Speaker A:I remember the day you called me and we were talking and I said, there's no barking.
Speaker A:Where's Clutter?
Speaker A:I gave that little motherfucker to a family full of kids.
Speaker A:Fuck that bitch.
Speaker A:And you laughed and said, he should have never sat in your shoe.
Speaker A:Lizelle was right.
Speaker A:Who would trust a person like that with children?
Speaker A:I could kill you.
Speaker B:Oh, man.
Speaker A:Right now, I could murder you.
Speaker A:There's shit I could say that would make you never want to come outside.
Speaker A:I know you, Jill.
Speaker A:You want to diss me?
Speaker A:Come on.
Speaker A:Because I promise you, bitch, you keep fucking playing with me and I'm gonna say some shit so real about you, you gonna duck every time a notification bell go off on look both ways before you cross my mind.
Speaker A:You sitting there trying to play me with a bunch of that.
Speaker A:Been robbing you for years and passing you around to Tyler Perry and every body else while you waiting for another.
Speaker A:Why did I get married?
Speaker A:You should know why by now.
Speaker A:You've done it a few times.
Speaker A:You in that picnic.
Speaker B:Damn.
Speaker A:Anyway.
Speaker B:Ah, shit.
Speaker B:J.
Speaker B:Wait, wait, wait.
Speaker B:Hold on.
Speaker B:Wait, wait, wait.
Speaker B:Would you say what the dad that.
Speaker A:Kendra said, don't tell lies about me and I won't tell truth about you.
Speaker A:Yeah, learn from Aubrey.
Speaker A:Stand down.
Speaker A:All y'all motherfuckers or does everyone want to move to the embassy?
Speaker A:Cause I can think of some things you do in your DMs.
Speaker A:Jill, what's this with people under 18?
Speaker B:Oh, okay.
Speaker B:I don't want to know.
Speaker B:I don't want to know.
Speaker B:Damn.
Speaker B:Okay.
Speaker A:Don't get me started.
Speaker A:Shit, I'll make you duck.
Speaker B:Damn.
Speaker A:You know, like to see it when a big bitch ducks fast.
Speaker A:Gravity, inertia.
Speaker B:Okay, okay.
Speaker B:What do you say to those.
Speaker B:What do you say to those that be like.
Speaker B:They be like it be your own people.
Speaker B:He's like, you're going.
Speaker B:You're going after your own Jack.
Speaker A:These ain't my people.
Speaker B:Okay, all right.
Speaker A:Who the people is?
Speaker A:Yeah.
Speaker A:All right.
Speaker A:Just making sure.
Speaker B:Just making sure.
Speaker B:Just making sure.
Speaker A:Who?
Speaker A:Daddy people.
Speaker B:Right, right.
Speaker B:Just making sure.
Speaker B:Just making sure.
Speaker A:See, that's the thing.
Speaker A:The simple fact that we put.
Speaker A:But that's your people on it.
Speaker A:And that excuses the fact that they're monsters.
Speaker A:Hey, hey, you know what that sounds a lot like to me, but your uncle molested me.
Speaker A:But, hey, you know what I mean, he did it to me, too.
Speaker A:It's cool.
Speaker A:Just.
Speaker B:Nah, for real.
Speaker A:Family always gonna cover that shit up.
Speaker B:They will say, hey, not our own.
Speaker A:And that's what the music industry is.
Speaker A:It's a sick little nasty family.
Speaker A:A foster family at that.
Speaker B:Yeah.
Speaker A:Sells dreams, it sells hopes.
Speaker A:It sells a lot of shit.
Speaker A:But you know what?
Speaker A:It never sells reality.
Speaker A:Just.
Speaker A:I'm gonna say two names.
Speaker A:Usher.
Speaker A:Chris Brown.
Speaker B:Usher.
Speaker B:Chris Brown.
Speaker A:Who's the best male artist in the world between the two of them?
Speaker B:Oh, Chris Brown.
Speaker B:Chris Brown.
Speaker B:I don't know neither.
Speaker B:It's a trick question.
Speaker B:I don't know.
Speaker A:No, I'm serious.
Speaker B:Who do you think is the better.
Speaker B:Chris Brown is the better prodigy.
Speaker A:What does everybody else think?
Speaker A:Usher.
Speaker A:Okay, so the majority is Chris.
Speaker A:I want to know why you say Usher.
Speaker A:Why do I say I should?
Speaker A:Cause I guess they put him in the spotlight more.
Speaker A:I guess.
Speaker A:Well, I just kind of grew up to him.
Speaker A:Maybe longevity, like, you know.
Speaker A:Right.
Speaker A:And yet you put the two of them on the stage, and Usher will disappear the second that Chris Brown.
Speaker A:Oh, that's fact.
Speaker A:Starts working his jam.
Speaker A:Yes, that's true.
Speaker A:I've watched Chris Brown disappear in artists in real life.
Speaker A:No, I'm serious.
Speaker A: Jaguar Wright, you go back to: Speaker A:In San Jose.
Speaker A:The reason why it sticks out for me was because it was the first night I turned down a backstage pass because I wanted to be in the audience when Chris hit stage.
Speaker A:The reason why it was so special to me because I was there with my ex boyfriend, who's a professional dancer, who was a part of a dance crew, legendary dance crew on the west coast called the Housing Authority, from Richmond, Oakland, Bay area.
Speaker A:One of the members, the lead member, Richmond, who they call him Richmond after his town, is Chris Brown's choreographer.
Speaker A:Richmond invited me and Jammer to the show that night.
Speaker A:I wasn't invited by Chris.
Speaker A:I was invited with the man that invents his dance steps much different.
Speaker A:So I could have went backstage, but I didn't want to miss it because I knew they was turning up.
Speaker A:Trey Songz went on first, Chris Brown went on second.
Speaker A:Then they came back out on stage for that tour and closed the show out together.
Speaker A:Trey Songz was cool.
Speaker A:Everyone had a decent time and he did his set and there were applause and it was cool.
Speaker A:We got there for the last two songs.
Speaker A:So at that point in time, when we got to the stadium, it should have been at a high, you know, that should have been the height of his show.
Speaker A:They were responsive, but they wasn't over the top.
Speaker A:From the second Chris came out, he walks out, the lights go on, boom, boom.
Speaker A:This nigga comes in with a high, karate, Bruce Lee, some type kick shit, flip, turn, dip, stop.
Speaker A:And it said everybody lost it.
Speaker A:He did two half a moves and a piece of moonwalk.
Speaker A:And these motherfuckers is going crazy.
Speaker A:Much different crowd, same audience.
Speaker A:Chris Brown show was a Chris Brown show.
Speaker A:This was the Pepsi Challenge, though.
Speaker A:When it came time for the both of them to perform together, Trey was.
Speaker A:They were supposed to be singing duets and Trey is on stage and he's doing his thing.
Speaker A:Chris is on the side of stage, laying on a bench, jumps up out of nowhere, comes down.
Speaker A:Next thing you know, Trey Songz disappeared.
Speaker A:Ain't nobody looking at this nigga no more.
Speaker A:Then Chris is sitting there doing this shit trace church boy to the motherfucker, you know, And Chris is sitting over here like.
Speaker A:And everybody like niggas was watching, you.
Speaker B:Know what I mean?
Speaker A:They mama go to jail screaming from they song like.
Speaker A:And at the end of the night, Chris had to remind the audience to clap for tre songs.
Speaker A:God damn.
Speaker A:That's one of those.
Speaker A:Imagine what a diminishing moment that night was.
Speaker A:There was like 35,000 people there and they had to be reminded to clap for A motherfucker that had been on stage for at least 90 minutes.
Speaker A:Y'all, don't forget to clap for Trey.
Speaker A:Come on, give it up for Trey.
Speaker A:Come on, Ann.
Speaker A:It's my little cousin.
Speaker A:Y'all, man, show him some love.
Speaker A:Don't just.
Speaker A:Come on, man.
Speaker A:And he wasn't even being cheeky.
Speaker A:He was genuine.
Speaker A:He wanted them to acknowledge him, too.
Speaker A:But the truth is, the crowd has spoken.
Speaker A:That was the Chris Brown show.
Speaker A:And it also was a magic act because we watched Chris Brown make a whole so called R and B start disappearing right in front of our very eyes.
Speaker A:He didn't even move.
Speaker A:Just disappeared.
Speaker B:He didn't even move.
Speaker A:Now, imagine what that would look like next to Usher.
Speaker A:No, different.
Speaker A:Ask me what Usher and Trey Songz have in common.
Speaker B:What do Usher and Trey Songz have?
Speaker A:They've been at a flavor camp with the Diddler.
Speaker B:Trey Songz definitely.
Speaker B:Trey Songz definitely been to the flavor camp.
Speaker B:Yeah, yeah.
Speaker B:Trey Songz definitely has.
Speaker A:With the Diddler.
Speaker B:Yeah, yeah, yeah.
Speaker B:Hold on.
Speaker A:The Diddy doo wop bop yeah, yeah.
Speaker A:Tracy that stabbed his way.
Speaker A:Stabbed.
Speaker B:Trey Songs have.
Speaker B:He has his own allegations and, you know, he has his own situation.
Speaker A:He should.
Speaker A:Yeah, he should have everything literally.
Speaker A:Way I seen him spread around.
Speaker B:Damn.
Speaker B:Neighbors know my neighbor.
Speaker A:He was real turned out on my young bull.
Speaker A:He was turned out on my young bull.
Speaker B:Whoa, wait, wait, wait.
Speaker B:Whoa.
Speaker B:Hold on, Jay.
Speaker B:You can't just say some shit like that.
Speaker A:What?
Speaker B:You can't just say that.
Speaker A:What do you mean?
Speaker B:What you mean?
Speaker B:What you mean?
Speaker A:I mean, he was turned out on my young boy.
Speaker B:Okay, I'll leave it there.
Speaker B:We'll leave it there.
Speaker A:No, we ain't gotta leave it there.
Speaker B:Oh, shit.
Speaker B:Okay.
Speaker B:All right, all right, all right.
Speaker A:I'm gonna tell you something right now.
Speaker B:God damn.
Speaker A:His days might have started on Star island, but that Maserati or that Lamborghini would leave and be parked right there on Biscayne Bay, faithfully.
Speaker B:Oh, man.
Speaker A:Trey drive Diddy Carr right over there, Biscayne Bay, eating cheddar biscuits and shit.
Speaker A:Ask Trey Songz if he like Red Lobster and them cheddar biscuits.
Speaker A:He liked them cheddar biscuits.
Speaker A:I know he ate some of mine.
Speaker A:I cook for all my babies.
Speaker A:I go over my baby's house and we'll hang and talk and drink and have fun.
Speaker A:Have a fag, you know, a cigarette.
Speaker A:Cigarette.
Speaker A:And I'll cook, you know.
Speaker A:And I know they're partying and working and stuff like that all the time.
Speaker A:A lot of them are in the life.
Speaker A:So I Always make sure they have a home cooked meal.
Speaker A:You know what I mean?
Speaker A:And Trey likes my cooking.
Speaker A:From what I was told, he like it a lot.
Speaker A:Speaking of the diddler, right?
Speaker A:Yeah.
Speaker B:There's things that come out of the.
Speaker A:News that he had underground tunnels.
Speaker A:Yeah.
Speaker A:Did you know anything about that before?
Speaker B:Oh, my God.
Speaker A:But y'all think El Chapo the only one know how to dig a hole?
Speaker A:That's so racist.
Speaker A:Only the Mexican dig holes.
Speaker A:You know what I mean?
Speaker A:Like.
Speaker A:Yeah, I'm just saying.
Speaker B:Is it for entering or exiting?
Speaker A:Shit, maybe it's for neither.
Speaker A:Maybe it's just to move without detection.
Speaker A:The funny thing is, is we keep getting all this redacted shit.
Speaker A:Yeah, like the Epstein island flight logs.
Speaker A:What the fuck was the point in showing them 10,000 words written on paper.
Speaker A:Yeah, and only 500 of them you're able to read.
Speaker A:What's the point?
Speaker B:It's not the words.
Speaker A:How we get his father.
Speaker A:Hold on.
Speaker A:Wait a minute.
Speaker A:Let's guess.
Speaker A:Wait a minute.
Speaker A:Hold on.
Speaker A:Let's put this between.
Speaker A:This person was seek blank with this blank and blank.
Speaker A:Blank.
Speaker A:Blank to blank to blank to blank to blank.
Speaker B:Wait.
Speaker B:Something just may not be ready for our ears.
Speaker A:See it blank.
Speaker A:Say the blank to blank to go to Doc, you miss.
Speaker A:We ain't see shit, we don't know shit.
Speaker B:Black ops.
Speaker B:Black ops.
Speaker B:Gotta blank it out.
Speaker B:I mean, some things we're not ready for jack.
Speaker A:Yo, man, if the government was a rap song.
Speaker A:Yo, Weezy.
Speaker A:Shit.
Speaker A:Yo.
Speaker A:If the government was a rap song right now, what would it be?
Speaker B:We ain't seen shit.
Speaker B:We don't.
Speaker A:All I wanna say is that they don't really care about us.
Speaker B:Facts.
Speaker A:All I wanna say.
Speaker A:Who gonna drop 16 on that shit?
Speaker B:Mona.
Speaker A:Oh, shit.
Speaker A:That might be the end of me.
Speaker A:You know he started singing that shit.
Speaker A:You saw what happened.
Speaker A:That's why I ain't doing no pain medication.
Speaker A:Fuck that.
Speaker A:Give me some yoga, you know what I'm saying?
Speaker A:Give me some herbs, some turpentine, you know, Give me that old shit.
Speaker A:I ain't fucking with these niggas.
Speaker A:Hell, no.
Speaker A:What?
Speaker B:Michael Jackson's children have been locked out of his estate because they're saying.
Speaker A:Which children?
Speaker B:Blanket and Paris and the other one.
Speaker A:Which other one?
Speaker A:Mickey Howard's son.
Speaker B:Yes.
Speaker A:That looked just like his father.
Speaker A:Just like his daddy.
Speaker A:Just like the love dingy.
Speaker A:He looked just like LL Cool.
Speaker A:Jesus.
Speaker A:The only way that boy ate his son is if he's a clone.
Speaker A:I'm telling you.
Speaker A:Only way.
Speaker A:I don't know was they taking him out for a test run.
Speaker A:I don't know.
Speaker A:That's the only way.
Speaker A:That's not his kid.
Speaker A:He spit him out.
Speaker A:I'm serious.
Speaker A:You done see the love?
Speaker A:Yeah.
Speaker A:Is it your kid or is it a clone?
Speaker A:America wants to know.
Speaker A:I don't know.
Speaker A:What, you grew them up for parts?
Speaker A:I don't know.
Speaker A:I mean, ain't that what Nick Cannon doing?
Speaker A:All them damn babies?
Speaker A:I'm just saying, that's what they doing now, ain't it?
Speaker A:You get an incurable disease.
Speaker A:You have 25 kids.
Speaker A:You got your own blood bank, stem cells, you know, a kidney and lung, liver.
Speaker A:Why won't you give it to your daddy?
Speaker A:You know what I'm saying?
Speaker B:That's kind of smart, though.
Speaker B:I ain't gonna lie when you say like that.
Speaker A:Tell me.
Speaker A:Look, I ain't mad.
Speaker A:Just tell the kids what they there for so they don't feel bad when you don't love them.
Speaker A:You know what I'm saying?
Speaker A:Don't have them thinking that there was a real emotional attachment.
Speaker A:You know what I'm saying?
Speaker A:Like, that's what I hate about these Hollywood celebrity relationships that produce children.
Speaker B:Oh, yeah, yeah.
Speaker A:Look at Willow and Jaden.
Speaker B:Look at them.
Speaker A:It's still their resilience.
Speaker A:For me, it's remarkable, their resilience.
Speaker A:I remember when I met Willow at Sandaga.
Speaker B:Oh.
Speaker A:And me and Gerald were married.
Speaker A: ot married, so this was early: Speaker A:She was here for about two months.
Speaker B:Very dope.
Speaker A:Staying at a goddamn healing house with that fucking witch over there on White Rock.
Speaker B:Oh, wow.
Speaker B:Okay.
Speaker A:I didn't understand why Jada sent her to Erica.
Speaker A:It just.
Speaker A:It didn't make any sense.
Speaker A:Why did Erica need to mentor your daughter?
Speaker A:Why?
Speaker A:And then I saw, you know, because Willow.
Speaker A:That was around the time that Willow got the COVID of Dallas magazine when she was modeling here.
Speaker B:Remember that?
Speaker A:I don't know if anybody remembers.
Speaker B:Google it.
Speaker A:Willow had a little modeling stint here in Dallas for a while before she started going to New York for Fashion Week.
Speaker A:And I was curious to see where that was gonna go.
Speaker A:And she had stopped the music.
Speaker A:She's hella talented.
Speaker A:But after that whip your hair shit, she shaved her head and all of that.
Speaker A:I wasn't sure.
Speaker A:I was hoping she would go back to music.
Speaker A:Glad when she did, and shout out to Willow Smith, like, the new music.
Speaker A:I love.
Speaker A:Wait a minute.
Speaker B:There you go.
Speaker A:I love.
Speaker A:Wait a minute.
Speaker B:Yep.
Speaker A:Listen to it all the time.
Speaker A:And I hear her.
Speaker A:She's looking for her joy.
Speaker A:Just the way she approaches her Lyrics, they come from a cloud.
Speaker A:She doesn't live down here, she lives up there because up there is safe.
Speaker A:And it makes sense because when you think about it, what 12 year old kid would write a letter to their mother's former love who passed away and said, please come back so my mommy can be happy?
Speaker A:Like, did anybody ever really talk about that?
Speaker A:It was said and people.
Speaker A:It was said and people just glossed right over it.
Speaker A:That was a huge red flag for a kid.
Speaker A:That is like when they talk about it and they say it, you know, so politically correct, it lands different.
Speaker A:But if you say it, how it actually is, like really how it actually is, you.
Speaker B:Wow.
Speaker A:Your kid had to cut her hair off because she hated that fucking hit record.
Speaker A:I whipped my hair round.
Speaker A:Yeah, she cut her hair off.
Speaker A:Major red flag.
Speaker A:Kid got a number.
Speaker A:Can you imagine?
Speaker A:Hannah Montana didn't shave her fucking head.
Speaker B:Yeah.
Speaker A:Think about that.
Speaker A:Huge red flag.
Speaker B:Yeah.
Speaker A:Any normal parent would say they didn't stop.
Speaker A:They didn't stop.
Speaker B:Yeah.
Speaker A:Then there was the moment on social media.
Speaker A:She was 13 with a 22 year old man in her bed.
Speaker B:Saw that.
Speaker A:It's no big deal.
Speaker A:We were just hanging.
Speaker A:They were just hanging out.
Speaker A:I got three questions to ask about that one.
Speaker A:1322.
Speaker A:Appropriate or inappropriate?
Speaker B:Inappropriate alone.
Speaker A:Appropriate or inappropriate?
Speaker A:Inappropriate in your child's room.
Speaker A:Appropriate or inappropriate?
Speaker B:Definitely inappropriate.
Speaker A:Part B to that.
Speaker A:In your child's room with the door closed, in the bed, half dressed, grab the shotgun.
Speaker A:On social media.
Speaker B:Hell no.
Speaker B:Who took that picture?
Speaker A:That's.
Speaker B:That's who did.
Speaker B:Yeah, it's just.
Speaker B:That's.
Speaker A:Yeah, we cutting off our hair.
Speaker B:Red flags.
Speaker A:We laid up with old niggas.
Speaker A:That's an old nigger.
Speaker A:When she was born, he was probably already trying to rub one out at the park.
Speaker A:Oh, man, think about the difference in that, the imagery.
Speaker A:She's 13, okay?
Speaker A:She might have a period.
Speaker A:Might.
Speaker A:Breast not fully form.
Speaker A:Pubescent hair not grown all the way in, man.
Speaker A:And this nigga can go to a bar and buy a beer and get a bitch drunk and fuck her in the backseat of his car and leave her out there with $20 to say, Hope you make it home.
Speaker B:Like the imagery.
Speaker A:This nigga, that could be his Saturday night in la, so.
Speaker A:And he's up in your daughter bed.
Speaker B:Yeah.
Speaker A:With his shirt off and shit, frolicking.
Speaker B:You call it art or social.
Speaker A:Frolicking on social media.
Speaker A:Fuck you mean?
Speaker A:Somebody should have kicked the door in and beat that fucking nigga's ass.
Speaker B:Right?
Speaker A:Period.
Speaker A:Didn't happen though.
Speaker A:Oh, well, you Know, we don't really do rules with our kids.
Speaker A:You know, we trust them to make their own decisions and be accountable for those choices.
Speaker B:Yeah.
Speaker A:Who would tell that to a teenager and be and take that shit like serious.
Speaker B:It's not becoming of our culture, of our people.
Speaker A:But I'm going after our people.
Speaker A:Do they sound like our people?
Speaker B:Hey, hey.
Speaker A:They not like us.
Speaker A:They not like us.
Speaker A:They not like us.
Speaker B:Hey, hey, I don't know them niggas and Jack, let me ask because you.
Speaker A:Mentioned I recognize the color, you know what I'm saying?
Speaker A:But the spirit is all, you know.
Speaker A:They selling melanin now.
Speaker B:I heard you could bottle it up, shout out reality street stars.
Speaker B:Hey, so jag in the zombie apocalypse, what is your weapon of choice?
Speaker A:My weapon of choice?
Speaker B:Yeah.
Speaker B:I'm just curious.
Speaker A:That's a hard choice.
Speaker B:Yeah, but we gotta think about it like that.
Speaker B:Yeah.
Speaker B:You would kill a motherfucker.
Speaker A:I was just saying.
Speaker B:Ooh, how do I wanna duel?
Speaker B:How do I wanna duel?
Speaker B:Em.
Speaker B:A bayonet, you know, ain't that.
Speaker B:There's not a bayonet with a shotgun on it.
Speaker A:Everyone would think that a shotgun or a rifle would be the go to close range.
Speaker A:But the thing is, what happens if it jams?
Speaker A:What happens when you run out of ammo?
Speaker A:Now you have to readjust your thinking and you have to readjust your strategy.
Speaker A:But if you're just worried about physical fitness, agility and practice, you're going to go with a machete.
Speaker A:You're going to go with a knife.
Speaker B:Yeah.
Speaker A:Or you're going to go with a bow and arrow.
Speaker A:Especially if you got a crossbow.
Speaker A:If you're lucky enough to have one of those gorgeous things.
Speaker B:Daryl Dixon.
Speaker A:It keeps you focused.
Speaker A:It keeps you in a different.
Speaker A:It keeps you always present.
Speaker A:When you're shooting a gun, you trust that the gun is going to get the job done.
Speaker A:When you're swinging a knife, you have to trust that you're going to make sure it gets done.
Speaker A:It's something different.
Speaker A:Even the same with crossbow and arrow.
Speaker A:There's a certain moment where your target and you know this shit is happening.
Speaker A:Like if you've ever taken down a deer, they know you see them right before you release.
Speaker A:They accept it.
Speaker A:You got them and it's just.
Speaker A:They freeze where the hint, you know, Deer in the headlight.
Speaker A:There you go.
Speaker A:I wish human beings were that simple.
Speaker B:Bayonet still Bayonet still.
Speaker B:Old school musket.
Speaker B:Bayonet mother.
Speaker B:What you going with?
Speaker B:Zombie powers.
Speaker A:I like the machete though.
Speaker A:I'm a closer person on.
Speaker B:A glaive.
Speaker B:It's a basically a bow with a long head snipe on the end.
Speaker B:I can do the up close and cut from distance.
Speaker B:You want to samurai showdown?
